Torngat (Montreal) w/ Snailhouse (Montreal) & Golden Death Music (London)

Jun 20 2008 - 9:00pm
Jun 21 2008 - 1:00am
Location: 
London Music Club
LOLA favorites, Torngat and Snailhouse (full band), return to the Forest City for a special Friday night performance.  Joining them will be London's Golden Death Music (local fave).
Cost of admission is $10
9pm

http://www.torngat.ca
http://myspace.com/torngat

http://www.snailhousemusic.com
http://myspace.com/snailhouse

http://myspace.com/goldendeathmusic

" French horn, keyboards and drums can hold infinite possibilities, as this Montreal trio aptly demonstrates. Pietro Amato (Bell Orchestre, occasionally Arcade Fire), Mathieu Charbonneau and Julien Poissant also juggle duelling melodicas, percussion and an arsenal of effects to create captivating soundscapes and compositions that unexpectedly flowered into dance beats by the set's conclusion. Can Montreal fit another spellbinding instrumental band inside the city walls? Absolutely."

- Michael Barclay, Exclaim! 2004 Pop Montreal Festival review

"Fans of Snailhouse come to expect many things - unique song-craft, stunning musicianship, and a lyrical prowess that is deceptive in its simplicity. From the bare acoustic recordings of (1994's) Fine to the grandoise pop experiments of The Opposite is Also True to the subtle, skewed soul of The Silence Show, Snailhouse takes genres both new and old and weaves them into something that can never be listened to the same way twice."

- taken from the snailhouse bio

"Being a one-man project, GDM immediately appeals to me for I believe a stronger artistic imprint is left when an album's worth of music can be attributed to one individual; when, if his visions are grand enough, no one can step on them in any way. Michael Ramey is that one man, and his visions are reminiscent, to my ears, of some of the earliest of Pink Floyd records, smoothed over even more with shades of Radiohead and Hood. Ephemera Blues plays like a mostly-peaceful LSD trip, all groove-matic acoustic guitar swirls and patterns, electronic noodling, foreboding bass riding high in the mix and emotive vocalizings."

- taken from http://www.musicemissions.com

5
Average: 5 (3 votes)

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